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Poetry

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Remains

by Ernest Hilbert 

The stag will leap in moonlight at neap-tide;

Specters snake the garden paths those nights,

And wraiths are glimpsed loitering on ground

Where gallows stood in the pasture above the sea.

 

The castle, once easily defended from all sides,

Resides high in crags, walled from the world.

All within is ruin. The keep crumbles.

The chapel, a later appendage, is half gone

 

Down the mountain’s face. The cistern’s dried.

No chronicle survives, but the place is rumored

To have been named for a purple flower

Or two (none agreed which one it should be).

 

Many heirs were slain, generations lost,

Whole villages wasted and crops put to torch,

Infants impaled on spits; even a queen

Burned alive before her great mirror,

 

Screeching flames lighting every cold stone

Of the chamber, waving in corners

Like sunlight on the bottom of a lagoon.

The blackened circle can still be seen

 

On flagstones. Visitors aim their phones

Until they find it and snap the image.

Yet these are not the ghosts they claim to see.

Those who haunt these halls and frozen hills

 

Are not scions of the anemic family

That gradually stabbed itself out of existence.

They are really only half-happy souls

Of those who visited once, tourists, who,

 

On deathbeds back home, gave last thoughts

To a summer day they came to the heights,

Vacation hours that seemed to last so long,

A vivid moment of allotted time

 

To travel out of the tiny circuits

In which they survived as well as they could.

By day, wearing the fashions of their time,

Ghosts feed on saxifrage like bees, and evenings

 

Roam the rooms, or nestle before cold hearths.

It’s not that they prefer the wet dark.

That’s just how they’re most easily seen.

They’re happiest when they ride the rays

 

On sunny days that dry them till they’re unseen,

Owning endless thoughts of escape to a place

That was only a prison or a graveyard

To others so unlike them, so long ago.

 
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Union Lake

by Ernest Hilbert 

The iron from the soil and acids from

Cedars have colored the water and leave

 

A fatty ochre sheen on you that dries

Into a thousand henna cataracts

 

Pouring into canals all down your spine.

After so much water, the wind is cold.

 

The afternoon is nearly gone, but darker than

It ought to be at this hour. Those who basked

 

Along the pine-scrub sand have gone. The boats

Have all been taken in. You leave the lake

 

And drive through forests to an empty house.

Once home, a shower steams, and earth and lake

 

Come off, a million silica, with all

The life that thrives in lakes, too small to see.

 

Once dried, you stretch on sheets, and stare at the ceiling.

You’re never washed of all that you’ve been in.

 

You haven’t left the lake behind. You float

Alone there still, long after any sane

 

Swimmer would have left. Surviving light

Seeps away until the sky is drained,

 

The gloomy water growing wide, dim shores

And looming trees dissolving in the dusk.

 

The smell of summer lingers all around.

You feel a swipe of eel along the leg, a bump

 

Of cedar bough that floats, soaked thick, below

The quiet surface, more, below you, murk

 

Astir, a universe that loves the dark

And bears you up as if you had no weight.

 
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Who Jumped in the Water

by Carla Sarett

I woke up thinking of a poem I had written,

but forgotten. All I could recall was

it was a poem of great sadness, about

a man who jumped into the water.

 

No, not a man, but a boy on a summer morning

when the water was clear and fast moving

when the water was cool and delicious

when the birdsong was sweet and inviting

 

waking long before his mother and father

so he could be alone with the birdsong

naked in the creek they called a river,

cool and delicious in the heat of August,

when the air was still and hushed,

when no one could see where he was.

 

The swim would be his secret,

he would swim for hours and hours,

until his limbs lost power, and

the water's current felt like sleep.

 

And he felt the bed of the river,

heard birdsong above the stillness,

above the fast-flowing river,

where other boys had jumped.

 

I know I will never write that poem.

I will keep it with me like the secret

of the man who jumped

into the water.

 
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They Told Me to Forget My Name

by Carla Sarett

do not ask

I can tell

 

no one it

sounded like

 

cemetery crickets 

in late August

 

after midnight

dying with

 

laughter at that

line was it

 

Vinyl Hampton,

not Lionel Hampton

 

in a movie

named for a 

 

city it's not

even close

 
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Up My Sleeve

by Joan Mazza

you’ll find my watch— proof

I don’t have a smart phone.

See my freckled arm with tags

of aging. Look further to discover

a hankie edged in lace, an ace of any suit,

along with two crows flying,

 

harassing a hawk with one fish

in its beak. Oh, yes. They’re in there.

You’ll have to squint a bit to discern

within the folds of tweed the map

to treasure. Inside my sleeve

 

and with your hands’ warmth,

the stone egg will hatch a pterodactyl

who’ll lead you soaring toward

gold stars inside the cave

at the mountain’s first ridge,

 

sometimes called a rib.

When you look upon my loose

and shabby clothes, consider

what you don’t know—

the constellations in there.

 
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And This is How the Muscles Work

by Angelo Letizia

My shoulder crumbled 

Like balsa wood

As I washed it

With a soap trail

In a hot shower

The splinters scattered 

And a musty smell rose

As if there was 

A basement inside me

I tried to lean over

Fill it with tears

But I collapsed 

And waited for the chains

The steel cables attached to my back

Hooked through the sun’s core

So I could rise with it

I have no choice but to stand now

As it burns yellow

In a cold season

Sometimes it’s the only way

When the kneecaps are broken

Or just refuse to bend

And when the radio doesn’t play

Finally the cables relax 

As the moon rises

It doesn’t hold me up

Nothing does 

At night

So I can sleep

 
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Invasions

by Aaron Sandberg

Who was I to say

the vast silver disc

sliding its way

 

mile by mile

above the city

was an invasion

 

and not some lid

come to keep one

from rising up?

 
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Curl

by Aaron Sandberg

In backs of backyards

amid our breaking news,

the world for now can spin

 

until the point where

centers cannot hold—

edges lifted and curled.

 

What are you doing,

I ask, looking up

from this poem:

 

I’m watching

you watch

the end of the world.

 
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